Volume can be a musician’s friend or foe.
Playing six-string in a straight-up rock or country band with a drummer who hits like a kicking mule, a bassist with severe hearing loss and a keyboard player or rhythm guitarist who turns up to 11 is like shouting in the midst of a tornado – pointless and painful. It’s even worse if you’re also the
singer. On the other hand, if your band is called something like Nihilistic Death By 10,000 Taloned Demons, it’s likely a dream come true and you’re probably the loudest member.
This story is about groups for whom high-level volume was or is a badge of courage – a scientifically measurable gauge of power and intensity. Any volume measured at more than 85 decibels (dB) is considered dangerous and can potentially cause hearing loss or damage, like the permanent ringing known as tinnitus. For our list of the 10 loudest bands of all time, we’re only considering performers whose volume has checked in at an eardrum-rampaging 115 dB and above.
Our list of volume-drunk champions:
Motorhead
The exact dB levels of concerts by these punk-fueled granddaddies of speed and thrash metal – the sonic foundation of groups like Metallica and Napalm Death – is not published, but there are so many anecdotal tales of their outrageous displays of howling volume that they’ve earned their place on this list in spades and aces. Motorhead titled their third album Everything Louder Than Everyone Else… ’Nuff said.
The Who
These days The Who don’t seem terribly dangerous, with Pete Townshend wielding his Gibson SJ-200 as often as he hefts an electric axe. But in 1976 they earned a place in The Guinness Book of World Records for achieving a measured 126 dB roughly 100 feet from stage at the Valley, a London sports arena, touring behind The Who By Numbers.
MC5
According to their manger John Sinclair, Detroit’s MC5 were so loud they practiced with their Marshall 4x12 cabinets face-down flat on the ground, with the speakers firing straight into the floor. “Kick Out the Jams” wasn’t just a song to this influential pre-punk outfit; it was their manta. Part of that balls-out-all-the-time attitude was raw volume pushed to the maximum. Another part was sheer endurance. When they played at the infamous 1968 Democratic National Convention in Chicago to protest the war in Vietnam, their set lasted eight hours.
AC/DC
In the early 1980s these Aussie maniacs were hell bent on becoming the world’s loudest band, fueled in large part by Angus Young’s Gibson SG-powered wall of amps. During the Back in Black tour, the group turned in a series of concerts at a whopping 130 dB. Complaints from promoters, however, moved the group to drop things down a few notches to the mere bone-crunching volume they play at today.
My Bloody Valentine
These modernist art rockers from Dublin use volume as a tool for creating fireworks and swirls within their textural guitar sound. Live, their feedback spikes and eddies of pitch-bent notes create an intoxicating and occasionally disorienting effect which is even more mesmerizing than it is painful to the naked ear. Expect no kindness from a group named after a 1981 Canadian slasher flick that was compelled to cut nine minutes of gore by the Motion Picture Association of America before it could be released the theaters.
Deep Purple
This might sound like urban legend, but The Guinness Book of World Records crowned Deep Purple the world’s loudest band after a 1972 concert at London’s 3,000-seat Rainbow Theater that rendered three fans unconscious with the intense pressure created by 117 dB of sound in an enclosed space. As Robert Ripley said, “Believe it or not!”
Led Zeppelin
Writer David Krebs made the case in Rolling Stone that Led Zeppelin’s live performances of “Whole Lotta Love” were the loudest on stage in 1970. But the year before that, the American Speech-Language-Hearing Association has already proven Zep’s big sound credibility by measuring a performance of “Heartbreaker” at 130 dB.
Manowar
These metal mongers from New York State are literally the band that broke the record on volume. After they scored Guinness’ recognition for the loudest musical performance at 129.5 db in 1984, they claim to have reached or exceeded that level again in 1994, but this time the famed book of records refused to acknowledge that accomplishment. Guinness had stopped including a category for world’s loudest band, supposedly because of the dangers of hearing damage caused by record seekers.
Leftfield
How loud must a group be to bring the roof down? For British electronica excessives Leftfield, the answer was an excruciating 137 dB in June 1996 at South London’s Brixton Academy, where chunks of plaster and dust began raining on their dance-crazed audience.
KISS
Thirty-six-years into their career KISS were still making headlines and defying gravitas. During a 2009 concert in Ottawa the group was reportedly clocked at 136 dB and were forced to turn down after police responded to complaints from neighbors in the area around the sports arena.
Now, the Lips are getting into Beatles-mania all over again and putting their stamp on the Beatles’ nugget “I Want You (She’s So Heavy),” which they played live during their New Year’s Eve 2012 show in Oklahoma City.
Lo and behold, Metallica’s hard-rocking tunes fall into that category.
The tracklistings for The World is Yours discs are…
The movie Satchurated will be the first 3D theatrical concert movie release with 7.1 Dolby Surround Sound. The movie is directed by award-winning filmmakers Francois and Pierre Lamoureux, who have directed and/or produced concert films and music documentaries for Rush, The Who, Slipknot, Deep Purple and others.
“I’m sure these will all be Blink songs at the moment,” Hoppus told Kerrang! “I don’t have any plans to write songs with anybody else right now. If I do, it’ll be a collaboration or a one-off thing, but everything I’m writing right now is for Blink-182.”
Sometimes you don’t know what you have until it slips away. That seems to be the case with the late Etta James’ soulful songs. As reported by Billboard, James scored her highest-charting album ever on the Billboard 200 chart this past week with The Best of Etta James – 20th Century Masters: The Millennium Collection, which rose from #162 to #46 with 8,000 copies sold, as reported by Nielsen SoundScan. That’s up 149% over the preceding week. Until now, the R&B/blues crooner had never surpassed #68 on the pop album charts, when At Last hit that spot in 1961.
Formed in 2002, the Phoenix, Arizona-based group describes their sound as “AC/DC meets The Yardbirds who slept with Led Zeppelin who had an illegitimate love child.” Other influences cited by the band include The Who, Neil Diamond, Audioslave and, of course, Alice Cooper.
Joe Walsh is done with his new solo album, Analog Man. It is set for a release in May or June and will be his first solo set since 1992’s Songs for a Dying Planet.
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However, the tour is credited to Anderson as a solo artist and not Jethro Tull as a band. The frontman recently explained why he decided to present the Thick as a Brick tour this way.
“I used to be a session musician before I was a wrestler,” he said. “I played bass guitar. I was big pals with Lars Ulrich and he asked me if I wanted to play bass with Metallica in their early days but it didn’t work out.”
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In the film, Ferrell and Galifianakis play North Carolina congressional candidates battling for the same seat. Guitarist Randy Bachman and bassist Fred Turner show up to play their hit “Takin’ Care of Business” at the winner’s celebration rally.
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Johnson says that he expects the band to go back into the studio later this year to start working on a follow-up to 2008’s Black Ice.
The hugely influential guitar Johnny Marr has used his artistic skills to create three backpack designs for charity.
Iggy Pop has agreed to take on the role of official ambassador for Record Store Day 2012. Set to take place on April 21, Record Store Day celebrates the virtues of independent record store establishments, and is marked by special shows and one-day sales events.
But Disney is free to use the image since the original cover is in the public domain and was never actually owned by Joy Division. It was taken from the Cambridge Encyclopedia of Astronomy. It depicts CP 1919, the first radio pulsar ever detected (in July 1967 by Jocelyn Bell Burnell).
According to the Shropshire Star, Downing has proposed a 63-room hotel with pool, spa and restaurant be built on his 320-acre Astbury Hall estate.
Bruce Springsteen and pals will begin a 19-date tour on March 18 at Phillips Arena in Atlanta. The trek will wind its way up the East Coast, including multiple dates in New Jersey and at Madison Square Garden, before hitting New Orleans Jazz and Heritage Festival and wrapping up May 2 in Newark. The group will tour Europe in the summer and return for another North American trek in the fall.
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The band quietly unveiled Japanese dates over the weekend on their official website.
The advent and cultural momentum of punk in the late 1970s provided a wild new lens through which all things – especially bands – considered “corporate” were viewed with leering distain. Ironically, even The Rolling Stones were not spared this fate despite having been punks a good decade before the term became a genre of music and style.
Neil Young has confirmed that he’s completed a new album with Crazy Horse, and that a second album with the band is “in progress.” The veteran rocker said he hopes to release both discs this year.
The concert, which had its inception in 1976, benefits the human right group, Amnesty International. As reported by the Associated Press, Amnesty International spokesperson Andy Hackman said the organization wanted to present the event on a grander scale this year, to mark the 50th anniversary of the founding of the human rights group. 



Neil Young may have criticized the sound quality of contemporary rock music in an interview with MTV News, but did express his admiration for two current acts. According to NME.com, the Canadian rocker said: “Mumford & Sons and My Morning Jacket are great bands. I love them both and I know them well. I feel good about saying that.”
Vedder also will promote 2011’s Ukulele Songs with a stop at the New Orleans Jazz & Heritage Festival, before the tour wraps up on May 16 in Orlando. Glen Hansard, known for fronting The Frames and the Swell Season, will open the shows.
Born on this day:
The album features Tremonti – an accomplished shredder, especially after hitting the woodshed with Rusty Cooley – on lead vocals as well as guitar, while Eric Friedman provides backing vocals, bass and guitar. Garret Whitlock handles the drums.
Former Whitesnake guitarist and Gibson signature artist John Sykes has pulled out of his planned collaboration with ex-Dream Theater drummer Mike Portnoy.
Former Oasis guitarist Noel Gallagher will be given the Godlike Genius Award at the 2012 NME Awards. The leader of Noel Gallagher’s High Flying Birds will be celebrated at the ceremony on February 29 at London’s O2 Academy Brixton, according to NME.








