Showing posts with label Keith. Show all posts
Showing posts with label Keith. Show all posts

Saturday, January 7, 2012

Keith Richards Doing Well After Undergoing Eye Surgery

Keith Richards is said to be doing well after undergoing laser eye surgery to correct his deteriorating vision, a spokeswoman for the Rolling Stones guitarist has revealed. According to London’s Daily Mirror, the veteran rocker underwent the procedure prior to Christmas, in London. 

A source close to Richards said, “He’s music’s ultimate survivor but not even the seemingly immortal Keith Richards can stop the march of time. It was a harmless, quick procedure and he’s very happy with the results.”

It’s speculated that Richards may have had the surgery in preparation for a Rolling Stones 50th anniversary tour, a possibility that’s been heavily rumored but not confirmed. Richards and Mick Jagger have reportedly put aside recent differences and are in talks with promoters about the viability of such a project. The very first Rolling Stones show took place at London’s Marquee Club on July 12, 1962.


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Tuesday, May 31, 2011

Keith Urban, Lady Antebellum, Taylor Swift Live at 2011 CMA Music Festival

Country superstars Keith Urban, Reba and Taylor Swift will be joined at this year’s CMA Music Festival by a diverse line up of country artists performing on a variety of stages throughout the event.

Celebrating its 40th birthday this year, CMA Music Festival takes place Thursday-Sunday, June 9-12 in downtown Nashville.

The Nightly Concerts at LP Field are the highlights of CMA Music Festival.
Thursday, June 9:  Jason Aldean (with a special guest performance from Kelly Clarkson), Easton Corbin, Sara Evans, Brad Paisley and Zac Brown Band (with special guest performances from Alan Jackson, Amos Lee, Sonia Leigh and Randy Travis).
Friday, June 10:  Dierks Bentley, Lady Antebellum, Reba, Ashton Shepherd, Sugarland, and Keith Urban.
Saturday, June 11: Trace Adkins, Little Big Town, Martina McBride, Rascal Flatts, Josh Turner and Chris Young.
Sunday, June 12:  The Band Perry, the JaneDear girls, Miranda Lambert, Darius Rucker, Blake Shelton and Taylor Swift.

Aside from the Nightly Concerts there will be plenty of music for country fans, much of it free. Free Daily Concerts will be held on the Chevrolet Riverfront Stage in Riverfront Park Thursday through Saturday, June 9-11.

The Lay's Stage at Bridgestone Arena Plaza will also offer free performances on all four days, beginning at 11:00 AM and ending at 5:30 PM and the Durango® Acoustic Corner will present daily acoustic concerts from acts such as Rhonda Vincent and Riders in the Sky at the Nashville Convention Center in Room 209.

Four-day tickets to CMA Music Festival, which include all four Nightly Concerts at LP Field and daily access to the Fan Fair® Exhibit Hall, can be purchased through Ticketmaster at Ticketmaster.com or 1-(800) 745-3000. They can also purchase them through CMAfest.com or 1-(800)-CMA-FEST (262-3378).


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Wednesday, May 18, 2011

Keith Urban Gets Star on Music City Walk of Fame

Keith Urban received his star on the Music City Walk of Fame (presented by founding sponsor Gibson Guitar) in a public ceremony in Nashville on Sunday, May 15. According to Newschannel5.com, Urban was presented with his star by country singer Ronnie Milsap and then kissed both his star and his wife, actress Nicole Kidman.

“Good Lord, it’s quite surreal after all these years,” Urban said. “So it will be 20 years next year since I moved here, and I’ve had the absolute lowest lows of my life and the complete highest of highest of highs, all have happened in Nashville.”

Country music legend Bill Anderson, who has been writing and performing for 50 years, also received a star. “Whispering” Bill said: “I am thrilled to be a part of it after all these years, the one thing is that about the music business is that it is constantly changing so to say that you know where it’s going to go, nobody knows that. The public will tell us where they want to go and we will follow.”


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Saturday, May 14, 2011

Keith Richards Reveals New Album Plans, Favorite Beatles Song

Rolling Stones legend Keith Richards appeared on Late Night with Jimmy Fallon Wednesday night in an interview filled with stories of drug-laden Bentleys, the Beatles-Stones rivalry and giant lemons. Among the many tales, though, was a spicy tidbit about Richards’ own plans for 2011.

When asked whether the Stones would be working together this year, Richards answered evasively, “I’m trying to nail them down, but I don’t want to crucify them.”

Fallon revealed that he had visited Richards working in a New York recording studio two weeks before.

“Well, I’d got to working with [drummer] Steve Jordan with The X-pensive Winos and, you know, when inspiration hits…yeah,” he enthused. Richards went on to say that a new X-pensive Winos album was “starting to blossom.”

Richards later answered a fan question, asking the guitar legend to name his favorite Beatles song:

“I’ve always told McCartney, ‘Please Please Me.’ I just love the chimes, and I was there at the time and it was beautiful. Mind you, there’s plenty of others, but if I’ve got to pick one, ‘Please Please Me’…oh, yeah!”

Richards will appear in Pirates of the Caribbean: On Stranger Tides, which hits theaters on May 20.


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Ten Melody Maker Monsters: Joan Jett, Keith Richards, Paul Westerburg, Robbie Krieger And More

“Light, but full of bite” is an apt description of the Gibson Melody Maker — a lean, mean rock machine since its introduction in 1959. Over the decades these fierce little beasts have been seen and heard in the hands of a gallery of six-string greats that includes Keith Richards, Robbie Krieger, John Lee Hooker, Joe Perry, Mick Jones, Joan Jett and Rory Gallagher.

The guitar was simple from the start. All the electronics were mounted on a single plate that was popped in place at Gibson Guitar’s original Kalamazoo factory, and the body was a single, thin slab of mahogany with a wraparound tailpiece and the trademark Gibson beveled headstock. It was a no-nonsense plug-and-play machine with a pair of P-90 pickups ready to dial up monster tone.

The original Melody Maker production run, which spanned 1959 to 1971, offered both single cutaway and double cutaway body styles. And when the line was revived from 1977 to 1983 — after all, it was the perfect guitar for the punk rock era, and Melody Makers turned up in the hands of both the New York Dolls’ and Television’s six-stringers — it featured double cutaways. The 1986 to 1988 run featured humbuckers, both singles and doubles, and like the previous run advanced to the Tune-o-matic bridge.

There have been other variations since: from ’87 to ’92 they were made with locking trem systems; in the mid-’90s came the All American II variation; and now the Melody Maker in the catalog hews close to its original form, as a lower cost relative of that Great American Heavyweight, the Gibson Les Paul. Today Gibson also makes a Jonas Brothers Melody Maker, and two Joan Jett inspired models, the Blackheart and the Joan Jett Signature Melody Maker.

Regardless of variations in horns and humbuckers or the P-90 family of pickups, the Gibson Melody Maker is firmly entrenched in history. In fact, during the first decade after its introduction it outsold the legendary Les Paul model. Here’s a quick rundown of some of the Melody Maker’s greatest exponents:

• Keith Richards: Although the Rolling Stones’ guitarist is associated with other models, the truth is he’s been a Gibson player throughout his career. Since the ’60s he’s used an old two-horned Melody Maker in a TV yellow finish with a single dog-ear P-90 pickup in both the studio and onstage. His fleet of Gibsons also includes a flotilla of Les Paul Standards, a ’53 Gold Top, ES-335s, Firebirds and other models.

• Rory Gallagher: The Irish blues-rock legend’s guitar fleet included a particularly beefy 1960 ’Burst finished Melody Maker with two pick-ups that he used to generate the nasty tone behind his wild, often expressionist playing.

• Robbie Krieger: Although the Doors’ dark-toned guitar wizard was best known for his distinctive SG, which has been immortalized by the Gibson Custom Shop, he also played a Les Paul Custom Black Beauty, an ES-335 and, of course, a Melody Maker during the band’s 1965 to 1971 heyday.

• Paul Westerburg: The Replacements’ frontman displayed the punk rock power in the Melody Maker’s pickups, using his 1962 model for classic songs like “Answering Machine.” With plenty of growl in both of their voices, Westerburg found his perfect foil in the guitar.

• Joan Jett: This powerhouse rocker got her first Melody Maker in 1977, and with it came the snarling signature sound behind “Bad Reputation” and her other monster hits of the late 1970s and ’80s. Over the years Jett’s white Melody Maker — the guitar that inspired the Gibson Custom Shop’s Joan Jett Signature Model — has had various pickups and other modifications, but has always remained her valued sidekick.

• Joe Perry: Although the Aerosmith guitar hero has his own Joe Perry Boneyard Les Paul made by the Gibson Custom Shop, he’s also been known to wield vintage Melody Makers on stage and in the studio – and, as always, maintain his bone-crunching tone.

• John Lee Hooker: Like fellow blues legend Muddy Waters, little is known about the specific guitars Hooker played early in his career, but he was photographed holding a Melody Maker and was a fan of the thick chocolaty tone produced by various Gibson and Epiphone Models, including Les Paul and Sheratons.

• Mick Jones: Jones used a variety of Gibsons in The Clash to contrast with Joe Strummer’s thinner tone. Besides a trusty Melody Maker, he played – and still plays — Les Paul Customs, Les Paul Standards and a Les Paul Junior with a double cutaway.

• Billie Joe Armstrong: The Green Day frontman depends mostly on Les Paul Juniors, including his signature model named “Floyd”, but there’s also room for a vintage Melody Maker in his guitar rack.

• Eric Carmen: Yes, Joan Jett’s white Melody Maker has a backstory. The 1968 model was first owned by Raspberries frontman Eric Carmen, who had it refinished in white and installed its first humbucker and custom pickguard.


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Wednesday, April 13, 2011

This Day in Music Spotlight: Ringo and Keith Moon Help Launch a Star

Special thanks to ThisDayinMusic.com.


One of the most down-to-earth, accurate and realistic rock and roll movies of all time premiered on this day in 1973.


Britain’s answer, in some ways, to American Graffiti, That’ll Be the Day looked back fondly, but realistically at Britain’s late ’50s, early ’60s pre-Beatle youth culture. Future pop star David Essex, in his breakthrough role (he’d been playing Jesus in Godspell on the stage), played Jim MacLaine, a frustrated teen determined to break out of the shackles of small-town life in dull, boring, bland, post-war Britain.


Essex’s own life was probably a lot harsher than that of his essentially middle-class character who opts out of a cozy path to university for life on the edge instead. In fact, Essex grew up in a particularly impoverished and tough part of London, and was pals with soccer pro Frank Lampard Sr., father of current Chelsea and England soccer star Frank Lampard.


Ray Connolly, author of the movie, recently interviewed Essex and asked about his early life and leaving school at just 15 years of age. “Actually I think it was more like 14,” he said. “I never used to go. And when I did they’d just send me and Frankie Lampard off to play football. I played for West Ham Schoolboys. Frankie said I could have made it as a professional if I’d stuck at it, but I think he was just being kind.”


Directed by Granada TV mainstay Claude Whatham, the film succeeded thanks to a delicate balance of tried and trusted Brit actors like Rosemary Leach, newcomers like Essex and, most significantly, for its music credibility, full-blooded cameos from real-life rockers, Ringo Starr, Keith Moon and Billy Fury.


Throwing away his chance of attending university, Essex’s character winds up at a small seaside town working at a holiday camp (pre-packaged holiday vacations for Brits in wooden huts by the sea!). Enter Ringo, in his favorite film role and certainly his most accomplished as the worldly-wise Teddy Boy, Mike, who takes young Jim MacLaine under his wing.


The interplay between Ringo, who was partially re-creating his own holiday camp past as an actor, and Essex, determined to break out of his own social situation, resulted in some poignant, witty and, at times, surprisingly harsh scenes.


Throw in the holiday camp’s resident rock band, featuring a somewhat controlled Moon on drums and British ’50s rocker Fury as bandleader Stormy Tempest (based on Ringo’s old bandmate Rory Storm) and a tight, naturalistic script by music fan Connolly, and the movie was destined for greatness, or at the very least least cult stardom.


Essex sprung from the exposure with a hit single that cracked the American market, “Rock On,” a song he had written for the movie soundtrack but was rejected. The single would sell in excess of 15 million copies worldwide and, according to a statement Essex made to the Daily Telegraph in 2008, was one of John Lennon’s three favorite songs. “It’s such a weirdly original song; it still seems strange to me that they love it so much in America,” Essex said.


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