This Day in Music Spotlight: Robbie Williams Better than Elvis?

Special thanks to ThisDayinMusic.com.

On this day in 2005, a young British pop star named Robbie Williams won the top spot in a U.K. national survey to be named best live solo artist of all time. Among those he pipped at the post were Elvis Presley, Jimi Hendrix and David Bowie.

The Carling poll named the following as their Top 10 Live Solo Artists:

1. Robbie Williams
2. David Bowie
3. Morrissey
4. Elvis Presley
5. Elton John
6. Jimi Hendrix
7. Paul Weller
8. Madonna
9. Michael Jackson
10. Bob Dylan

For those outside of the U.K., wondering if a poll in which Robbie Williams beat Elvis could possibly be accurate, in 2004 he was inducted into the U.K. Music Hall of Fame after being voted as the “Greatest Artist of the 1990s.”

He’s sold over 57 million albums around the globe and is easily the best-selling solo act in the U.K. On top of that, six of Williams’ albums have made the Top 100 biggest selling albums list. He’s also picked up a cool 17 BRIT Awards (the U.K.’s version of a GRAMMY).

Williams started out as a boy band star, only 16 when he joined British boy band Take That, who then ruled the U.K. charts in the ‘90s with 27 Top 40 singles and 11 of them going to #1 (there were six #1 albums as well!). But the cocky Williams was was the band’s bad boy and tried to the push Take That in a less-poppy direction. Naturally, divisions within the band grew, and as a result Williams quit in 1995, preferring do his own thing and conduct a very public friendship with Oasis.

His solo career surprised most onlookers. His debut solo single, a cover of George Michael’s “Freedom,” went to #2. His solo career was buoyed by the fact that he wrote his own material with help from friend Guy Chambers.

A dramatic ballad, “Angels,” from his Life thru a Lens album established Williams as a bona fide pop star. He had critical respect, lingering boy band worship and a newly found more mature pop audience. Put all that together and the album quickly sold some 3 million copies in Europe.

Since then, he’s been the biggest star in England and Europe by several miles (and kilometers). In 2002, Robbie had secured a record-breaking deal with EMI worth in excess of ?80 million. In 2003, he set the attendance record at Knebworth with three shows drawing over 375,000 fans.

In 2009, he announced he was re-uniting for a tour with his old chums in Take That. It was the fastest-selling tour in U.K. history with phone lines and websites crashing from the sheer volume of requests for tickets. And if that wasn’t enough, the reunited Take That’s new album, Progress, sold 235,000 copies the day it was released – making it the fastest-selling album of the century in the U.K.

In 2010, Williams was honored by the BRITs with the prestigious Outstanding Contribution to British Music Award. He’s currently breaking all records on tour with Take That.

America didn’t really “get” Robbie Williams when he toured in 1999. Should Stoke-on- Trent’s most famous export (sorry, Slash) ever find time to try again, it could be a very different story.

View the original article here

Ten Melody Maker Monsters: Joan Jett, Keith Richards, Paul Westerburg, Robbie Krieger And More

“Light, but full of bite” is an apt description of the Gibson Melody Maker — a lean, mean rock machine since its introduction in 1959. Over the decades these fierce little beasts have been seen and heard in the hands of a gallery of six-string greats that includes Keith Richards, Robbie Krieger, John Lee Hooker, Joe Perry, Mick Jones, Joan Jett and Rory Gallagher.

The guitar was simple from the start. All the electronics were mounted on a single plate that was popped in place at Gibson Guitar’s original Kalamazoo factory, and the body was a single, thin slab of mahogany with a wraparound tailpiece and the trademark Gibson beveled headstock. It was a no-nonsense plug-and-play machine with a pair of P-90 pickups ready to dial up monster tone.

The original Melody Maker production run, which spanned 1959 to 1971, offered both single cutaway and double cutaway body styles. And when the line was revived from 1977 to 1983 — after all, it was the perfect guitar for the punk rock era, and Melody Makers turned up in the hands of both the New York Dolls’ and Television’s six-stringers — it featured double cutaways. The 1986 to 1988 run featured humbuckers, both singles and doubles, and like the previous run advanced to the Tune-o-matic bridge.

There have been other variations since: from ’87 to ’92 they were made with locking trem systems; in the mid-’90s came the All American II variation; and now the Melody Maker in the catalog hews close to its original form, as a lower cost relative of that Great American Heavyweight, the Gibson Les Paul. Today Gibson also makes a Jonas Brothers Melody Maker, and two Joan Jett inspired models, the Blackheart and the Joan Jett Signature Melody Maker.

Regardless of variations in horns and humbuckers or the P-90 family of pickups, the Gibson Melody Maker is firmly entrenched in history. In fact, during the first decade after its introduction it outsold the legendary Les Paul model. Here’s a quick rundown of some of the Melody Maker’s greatest exponents:

• Keith Richards: Although the Rolling Stones’ guitarist is associated with other models, the truth is he’s been a Gibson player throughout his career. Since the ’60s he’s used an old two-horned Melody Maker in a TV yellow finish with a single dog-ear P-90 pickup in both the studio and onstage. His fleet of Gibsons also includes a flotilla of Les Paul Standards, a ’53 Gold Top, ES-335s, Firebirds and other models.

• Rory Gallagher: The Irish blues-rock legend’s guitar fleet included a particularly beefy 1960 ’Burst finished Melody Maker with two pick-ups that he used to generate the nasty tone behind his wild, often expressionist playing.

• Robbie Krieger: Although the Doors’ dark-toned guitar wizard was best known for his distinctive SG, which has been immortalized by the Gibson Custom Shop, he also played a Les Paul Custom Black Beauty, an ES-335 and, of course, a Melody Maker during the band’s 1965 to 1971 heyday.

• Paul Westerburg: The Replacements’ frontman displayed the punk rock power in the Melody Maker’s pickups, using his 1962 model for classic songs like “Answering Machine.” With plenty of growl in both of their voices, Westerburg found his perfect foil in the guitar.

• Joan Jett: This powerhouse rocker got her first Melody Maker in 1977, and with it came the snarling signature sound behind “Bad Reputation” and her other monster hits of the late 1970s and ’80s. Over the years Jett’s white Melody Maker — the guitar that inspired the Gibson Custom Shop’s Joan Jett Signature Model — has had various pickups and other modifications, but has always remained her valued sidekick.

• Joe Perry: Although the Aerosmith guitar hero has his own Joe Perry Boneyard Les Paul made by the Gibson Custom Shop, he’s also been known to wield vintage Melody Makers on stage and in the studio – and, as always, maintain his bone-crunching tone.

• John Lee Hooker: Like fellow blues legend Muddy Waters, little is known about the specific guitars Hooker played early in his career, but he was photographed holding a Melody Maker and was a fan of the thick chocolaty tone produced by various Gibson and Epiphone Models, including Les Paul and Sheratons.

• Mick Jones: Jones used a variety of Gibsons in The Clash to contrast with Joe Strummer’s thinner tone. Besides a trusty Melody Maker, he played – and still plays — Les Paul Customs, Les Paul Standards and a Les Paul Junior with a double cutaway.

• Billie Joe Armstrong: The Green Day frontman depends mostly on Les Paul Juniors, including his signature model named “Floyd”, but there’s also room for a vintage Melody Maker in his guitar rack.

• Eric Carmen: Yes, Joan Jett’s white Melody Maker has a backstory. The 1968 model was first owned by Raspberries frontman Eric Carmen, who had it refinished in white and installed its first humbucker and custom pickguard.

View the original article here