Showing posts with label Morello. Show all posts
Showing posts with label Morello. Show all posts

Thursday, March 15, 2012

Tom Morello Teaming with Occupy Austin for ‘Flash Mob Dance Party’

Tom Morello is set to team up with the Occupy Austin movement at South by Southwest this Friday (March 16) for a special showcase. As reported by Rolling Stone, Morello promises the event will be “a mighty SXSW throw down.”

“SXSW has a lot of specialty shows – record companies, vodka companies, promoters and things like that,” Morello said. “I thought it was important that at a music gathering of that size, to have a place where the rebels, revolutionaries, rockers, rappers and the 99 percent could gather ….”

Morello had previously reached out to representatives of Occupy Austin, soliciting input regarding the showcase. “Their intention is to have this flash mob dance party that’s going to arrive at the [Swan Dive] venue,” he said.

Morello will perform with his band, the Freedom Fighter Orchestra. Prior to Morello’s performance, Wayne Kramer will play a set in support of Jail Guitar Doors, a nonprofit organization that provides instruments to prisons for purposes of rehabilitation.


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Thursday, January 19, 2012

Tom Morello Plays on New Bruce Springsteen Album

Although Bruce Springsteen’s forthcoming album still doesn’t have a title or a release date, some details about the record have come to light, via a Rolling Stone interview with the Boss’ manager Jon Landau.

The new album was produced by Ron Aniello, who has also helmed records by Jars of Clay, Candlebox and Springsteen’s wife and E Street Band member Patti Scialfa. Landau said that various E Streeters contributed to the album, as did Rage Against the Machine guitarist Tom Morello.

“It was an experimental effort with a new producer,” Landau said. “Bruce and Ron used a wide variety of players to create something that both rocks and is very fresh.”

Lyrically, Landau said that the album has “social overtones.” There has been talk of the album dealing with economic justice and that Springsteen views it as the angriest work he’s ever delivered.

Although no U.S. dates have been announced, Landau confirmed that Springsteen and the E Street Band will tour North America in the spring and fall, with a European stretch in between. No one knows what the lineup will look like, following last year’s passing of saxophonist Clarence Clemons.


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Wednesday, July 6, 2011

Bruce Springsteen Inspires ‘Nugent-esque’ Tom Morello

Former Audioslave and erstwhile Rage Against the Machine guitarist Tom Morello has re-donned the guise of his alter-ego, The Nightwatchman, for a new CD. Set for release on August 30, World Wide Rebel Songs once again finds the guitarist sharpening his lyrical blades for social injustice. As opposed to his earlier Woody Guthrie-style acoustic efforts, though, Morello has embraced his inner guitar hero on the new album—a move largely inspired by a recent collaboration with Bruce Springsteen.

“On this record,” Morello told MusicRadar.com, “I felt much more comfortable melding the worlds of Tom Morello, 'electric guitar hero,' and Nightwatchman, 'brooding folk singer.’ [laughs] Where that evolution first happened was when I played the electric version of “The Ghost of Tom Joad” with Bruce Springsteen. That was the first time I ever sang on stage with an electric guitar. At first, I wanted The Nightwatchman material to stand in very stark contrast to Rage and Audioslave. But I've mellowed a bit on that now. I enjoy playing big riffs and guitar solos. That's who I am as an artist. So I finally got to a point where I could put it all together. There's plenty of grim folk tales of retribution on this record, but there's also big, 'Nugent-esque' guitar solos all over it.” [laughs]

He continued, "It wasn't so much that I needed confidence; it just never really occurred to me that I really could blend those worlds. I love the idea of the lone, guerilla-style acoustic singer…but playing with Bruce was kind of an epiphany moment for me. I'm going to do it both ways now: some nights will be the big rock band with the Freedom Fighter Orchestra, and other nights will be solo acoustic nights."


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Tuesday, May 31, 2011

This Day in Music Spotlight: Tom Morello - Rage’s Royal Renegade

Special thanks to ThisDayinMusic.com.

Like more than a few of his colleagues in the music business, one can never accuse Rage Against the Machine guitarist, Tom Morello, of being an activist poseur. This guy’s the real deal, and he’s been proudly swimming up stream and standing up for his convictions from the very beginning, no small feat for a kid who at one point believed himself to be, in his own words, “the only anarchist in a conservative high school.”

Born on this day in 1964, Morello’s father, Ngethe Njoroge, took part in the Mau Mau Uprising in Kenya before becoming Kenya’s first ambassador to the United Nations. (Morello’s paternal uncle was Kenya’s first elected president). His Irish-Italian mother, Mary, was a schoolteacher from Marseilles, IL who received her Masters degree from Loyola University in Chicago. She was well-traveled before her son was born, having spent time teaching English in Germany, Spain, Japan and in Kenya, where she met Tom’s father at a pro-democracy protest in Nairobi in August 1963.

After learning she was pregnant, Mary and Njoroge made their way back to America before their son was born. Njoroge, however, moved back to Kenya and denied paternity of his son shortly after he was born, leaving Mary a single mother the Chicago suburb of Libertyville.

Growing up, Morello proved to be extremely intelligent, creative and expressive kid. He especially loved music, and at 13 joined his first band as the singer in a Led Zeppelin cover band. He soon bought a guitar, and that’s when his zeal for music really exploded. A fan of KISS, Zeppelin, Iron Maiden, Alice Cooper and many of the heavier acts of the day, Morello started his own band called Electric Sheep. The other guitarist in the band was his classmate, future Tool axeman Adam Jones.

Morello attended Libertyville High School, and it was here where his left leaning – make that far-left leaning – politics really began to take root and flourish. He went so far as to campaign for a faux anarchist candidate in the school’s mock elections. After graduating with honors, Morello moved to Boston to study political science at Harvard University, where he received his Bachelors of Arts degree in 1986.

After college Morello headed to Los Angeles where he quickly found himself struggling to make ends meet – so much so that one of the jobs he took was as an exotic dancer. “When I graduated from Harvard and moved to Hollywood, I was unemployable,” Morello told ChartAttack.com. “I was literally starving, so I had to work menial labor – I even worked as an exotic dancer. [The Commodores’] ‘Brick House’ was my jam! I did bachelorette parties, and I’d go down to my boxer shorts. Would I go further? All I can say is thank God it was the time before YouTube! You could make decent money doing that job – people do what they have to do.”

In 1987, Morello found work in the office of Democratic Senator Alan Cranston, a position that at first excited him, but then disillusioned him, especially after seeing the amount of time the Senator actually spent doing little more than soliciting contributions from fat cats. “It just made me understand that the whole business was dirty,” Morello said. “He had to compromise his entire being every day.”

All the while, Morello kept his nose to the musical grindstone. After a two-year stint in the Geffen-signed band Lock Up, Morello was eager to form a new band. One night he found himself in an L.A. club and was blown away after hearing the freestyle rapping of Zack de la Rocha, who Morello promptly asked to join his new band. Former Lock Up drummer, Brad Wilk, was enlisted, as was Zack’s childhood friend, bassist Tim Commerford.

They dubbed themselves Rage Against the Machine, and the chemistry was instantaneous and palpable. They were loud, aggressive, extremely talented, and their lyrics were explosive and subversive. They instantly touched a nerve with their growing fan base, and after just a year of playing the club circuit in Southern California, Rage were signed by Epic Records. They quickly released their self-titled debut, which climbed to #45 on the Billboard 200 (#1 on Billboard’s Heatseekers chart), and just like that, there was a loud new voice on the scene, angrily championing the disenchanted and disenfranchised, while simultaneously exposing the corrupt “machine” for all that it is.


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