For a time, in the second half of the ’60s, it seemed nearly every band on the planet was dabbling in psychedelic rock. Sitars, harpsichords and Mellotrons leaped to the fore, but the guitar never lost its place as psychedelic rock’s central instrument. George Harrison, Eric Clapton (in Cream) and even Keith Richards (Their Satanic Majesties Request, anyone?) are among those who contributed to the cause, which lives on in such bands as Mercury Rev and The Flaming Lips.
Below are 10 guitar greats who ventured deep into psychedelic rock’s dizzying kaleidoscope. Who is your favorite psychedelic guitarist? Tell us in the comments section.
Michael Monarch (Steppenwolf)
Vocalist and rhythm guitarist John Kay gets all the attention, but it was original Steppenwolf guitarist Michael Monarch who provided the six-string magic in such landmark songs as “Magic Carpet Ride,” “The Pusher” and, of course, “Born to be Wild.” Citing Hendrix, Jeff Beck and Albert King as influences, Monarch helped establish the template for so-called acid rock. Asked about the trippy intro to “Magic Carpet Ride,” Monarch told ThePsychedelicGuitar.com he “cranked the amp” and recorded two tracks of guitar noise that were then mixed together. “If I had to recreate it, it would be hard,” he said.
Jorma Kaukonen (Jefferson Airplane)
A gifted finger-stylist, Jorma Kaukonen was a driving force in Jefferson Airplane as the band moved toward a psychedelic sound in the late ’60s. Inspired by Mike Bloomfield and by Cream, Kaukonen honed a raga-inflected style that helped propel such classics as “The Last Wall of the Castle” and the nine-minute instrumental, “Spare Chaynge.” During his tenure with The Jefferson Airplane, Kaukonen’s primary guitar was a Gibson ES-345.
Erik Braunn (Iron Butterfly)
Erik Braunn was a mere lad of 16 when he joined Iron Butterfly in 1967. One year later, he ensured a place for himself in acid rock history with “In-a-Gadda-da-Vida,” a 17-minute opus crafted around one of psychedelic rock’s most memorable riffs. Immensely gifted, Braunn continued to work as a songwriter, studio musician and producer until his untimely death, in 2003, of a heart attack. He was just 52.
Prince
Prince’s work as a funk guitarist is exemplary, but when he turns his mind to it, his playing evidences a profound love for ’60s-style psychedelia. The Purple Rain soundtrack contained hints of that affection, which reached full fruition on the 1985 album, Around the World in a Day. It’s hardly a coincidence that Prince dubbed his recording complex Paisley Park Studios.
Roky Erickson
A persuasive argument can be made that the 13th Floor Elevators – led by pioneering Texas guitarist Roky Erickson – were the very first psychedelic rock band. Erickson’s loopy six-string work and feral vocals on the group’s 1966 debut, The Psychedelic Sounds of the 13th Floor Elevators, established a template for all the “Nuggets”-era rockers (think Count Five and the like) who came in their wake. No less an icon than ZZ Top’s Billy Gibbons cites Erickson as a primary influence.
Todd Rundgren
Todd Rundgren’s immense talents as a producer, songwriter and multi-instrumentalist have sometimes obscured the fact that he’s a sensationally gifted guitar player. Both in Utopia and in his solo work, Rundgren’s six-string style has often steered toward Hendrix-like psychedelia, as exemplified by much of his 1974 2-LP opus, Todd. Few artists have combined the exquisite use of synthesizers with kaleidoscopic guitar sounds as effectively as Rundgren has.
Jerry Garcia
As the house band for novelist Ken Kesey’s “Electric Kool-Aid” parties, the Grateful Dead were the seminal group in the rise of San Francisco’s psychedelic movement. From that auspicious beginning, guitarist Jerry Garcia went on to become the driving force in the band for three decades. “Garcia painted outside the frame,” Carlos Santana once wrote, in a Rolling Stone profile of Garcia. “He played blues but mixed it with bluegrass and Ravi Shankar. He was the sun of the Grateful Dead – the music they played was like planets orbiting around him.”
Frank Zappa
Few guitarists have matched Frank Zappa’s sense of adventure with his chosen instrument. Pushing boundaries and defying convention, Zappa’s loopy excursions into jazz-rock, classical-rock and all points in between were the sonic equivalent of a thrilling carnival ride. “I think he was the best electric guitar player [ever], other than Jimi Hendrix,” Phish’s Trey Anastasio once told Rolling Stone. “Every boundary that was possible on the guitar was examined by him.”
Syd Barrett
Syd Barrett’s extended guitar freak-outs – especially “Astronomy Domine” and “Interstellar Overdrive,” from Pink Floyd’s 1967 debut, The Piper at the Gates of Dawn – are essential touchstones for any guitarist intent of taking the instrument to otherworldly dimensions. Combining kaleidoscopic arrangements with an exquisite sense of melody, Barrett charted musical territories hitherto unexplored. Pink Floyd’s sonic adventurousness owes an incalculable debt to Barrett’s original vision.
Jimi Hendrix
It’s not for nothing that Jimi Hendrix dubbed his pioneering trio The Experience. Centered on his seemingly supernatural gifts on guitar, Hendrix’s recordings constitute an eclectic journey filled with dizzying twists and turns. The opening riff for “Purple Haze,” the first song on Hendrix’s first album, flung open the doors to a floodgate of trippy sonic extravaganzas.
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